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Home Admin Homepage - Native Position #2 ‘The Wild West Bank Sound:’ A Funky Flashback of Musical Memories
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    ‘The Wild West Bank Sound:’ A Funky Flashback of Musical Memories

    The latest documentary from Twin Cities PBS takes viewers on a sensory trip to a corner of Minneapolis that shaped Minnesota music
    By
    Twin Cities PBS
    -
    April 6, 2026
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      Art courtesy of Twin Cities PBS

      For several generations, a rite of passage has beckoned many a Twin Citian: Weave oneself into any venue on Minneapolis’ West Bank, procure a beverage of choice, and take in some world-class live music. It’s a ritual that’s harder to execute these days, but the power of that experience is transcendent. The world will never be the same because of this funky little borough with its inexplicable magnetic pull. This is the subject of Twin Cities PBS’ latest history documentary, “The Wild West Bank Sound,” which premieres at Minneapolis Saint Paul International Film Festival (MSPIFF) on April 19, broadcasts on April 21 on TPT 2, and streams on the PBS app.

      Willie and the Bees band portrait 1980s. Photo courtesy of Carla Tollefsrud

      “The Wild West Bank Sound” takes viewers on a multi-sensory trip through space and time to a tiny corner of Minneapolis that was once an epicenter of the music world. From the early 1960s, this perennial immigrant landing strip proved an irresistible draw for artists from far and wide. This small neighborhood—named for its location on the west bank of the Mississippi River—witnessed more than a century of human migration, from around the world or just across the river in Dinkytown. The result was an ever-evolving cauldron of creativity and cultures, with an emphasis on music but with no limit on genres.

      John Koerner, Tony Glover, and Dave Ray of the band Koerner, Ray, & Glover in the 1960s. Photo by Paul Nelson, courtesy of the Tony Glover Archives, Minnesota Historical Society

      The intercultural nature of the West Bank in this documentary begins with Scandinavian immigrants who populated the area in large numbers before World War I. This influx of humanity gave the neighborhood its first nickname: Snoose Boulevard, a jab by existing Minneapolitans observing their new neighbors’ love of snus, nasally-ingested tobacco popular in Sweden.

      So when a small band of college students—irked by racial discrimination at a bar across the river—stumbled onto the West Bank in the early 1960s, they discovered a whole new world. It turned out that the neighborhood’s poverty and population density meant cheap rent, abundant housing, easy access to goods and services, and a powerful sense of belonging. And so another wave of migration began, drawing young people to this gritty utopia.

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      Young April Howell wearing a New Riverside Collective tee, 1972. Photo courtesy of Eve MacLeish
      Judy Larson laughing with banjo, alongside Bill Hinkley on fiddle, 1974. Photo courtesy of Eve MacLeish

      Music was the currency in this place: folk, blues, jazz, country, R&B, and rock. Waves of musical styles and practitioners washed across the West Bank, lending a diverse soundtrack to the political activism and social engineering at work among its residents.  Immigrants from the Caribbean brought music from the African diaspora, further enlarging the soundscape of this tiny borough.  The 1980s brought Minneapolis indie rock to the nation, much of it connected to the West Bank.

      This film is a funky flashback, bursting at the seams with visceral memories, all visualized with rare and rich archival photography, footage, and artistic ephemera. Stories of music and migration unfold in this film, told by an ensemble cast of West Bank icons and mainstays. From household names to forgotten favorites, “The Wild West Bank Sound” comes alive Tuesday, April 21, at 8 p.m. CDT on TPT 2 and the PBS app.

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