Review: Over the Rainbow and Into the Heart

Photo by Glen Stubbe

In this age of “Wicked,” where the lore of Oz has been deconstructed and expanded for modern audiences, Children’s Theatre Company (CTC) has chosen to return to the source. Its latest production is a vibrant mounting of the classic “The Wizard of Oz,” faithfully based on the 1939 MGM film, with the songs and characters we all know and adore. While this is not the first time CTC has taken us over the rainbow, this particular journey feels more relevant and vital than ever, proving that some stories don’t need to be subverted to be profound.

The unique joy of experiencing a production at Children’s Theatre is the opportunity to witness fresh talent. Aniya Bostick delivers a touching and sincere portrayal of Dorothy Gale. While she is early in her career, she possesses a natural warmth that anchors the entire production. And what she may occasionally lack in seasoned timing and delivery, she more than compensates for with raw heart and instinct. Bostick’s Dorothy is one this audience will instinctively relate to: She is kind, curious, and remarkably pure of heart. Her rendition of “Over the Rainbow” is a standout moment of quiet vulnerability, suggesting she is certainly one to watch in future roles. (Of note, Bostick performed on opening night and alternates the role with Harriet Spencer.)

Photo by Glen Stubbe

Bostick is surrounded by a generous trio of Twin Cities theatrical royalty. CTC regulars Reed Sigmund (Zeke/Cowardly Lion) and Dean Holt (Hunk/Scarecrow) return to roles they have mastered, delivering charismatic performances brimming with physical comedy and bravado. They play off one another with a shorthand that only comes from years of collaboration. Joining them is the incomparable Regina Marie Williams (Hickory/Tin Man), a familiar face from the Guthrie stage. Williams brings a sharp, sophisticated wit to the Tin Man, reminding us of her incredible versatility. Her performance is all about making smart, nuanced choices that elevate the character beyond a mere costume. And, of course, I would be remiss not to mention Toto, played with adorable precision by a real pup (or two) who captures the heart of each audience member.

Photo by Glen Stubbe

Visually, the production has been fully reimagined. Scenic designer Adam Koch and costume designer Lex Liang have collaborated to create a world that feels freshly familiar. The aesthetic never strays from the movie’s iconic tone or texture, but it avoids being a carbon copy. CTC artistic director Rick Dildine navigates the yellow brick road with a sophisticated hand, deftly paying homage to the classic film while carving out fresh emotional territory. By balancing grand technical spectacle, such as the vibrant arrival in Munchkinland, with quiet moments of connection, his direction pulls at the heartstrings in ways that feel both nostalgically comforting and surprisingly modern.

There is a profound reason CTC continues to find magic in Oz. For many in the audience, this show is like sitting with an old friend and catching up on lost time. For younger patrons, however, it represents that rare, transformative occasion: their very first live theatrical performance. This is the Oz that has charmed for nearly a century, reminding us all to click our heels three times and remember that, despite the wonders of the world, there truly is no place like home.

“The Wizard of Oz” plays at Children’s Theatre Company through June 14; tickets at childrenstheatre.org.

Photo by Glen Stubbe